I thoroughly
enjoyed this short story, due primarily to ZZ Packer’s relentless use of
detailed character description in her text. The story holds an interesting
conflict between two very different Brownie troops. The conflict is successful
for Packer paints the two troops as polar opposites.
She opens her
story with, “By the end of our first day at Camp Crescendo, the girls in my
Brownie troop had decided to kick the asses of each and every girl in Brownie
Troop 909. Troop 909 was doomed from the first day of camp; they were white
girls, their complexions like a bland of ice cream: strawberry, vanilla. They
turtled out from their bus in pairs, their rolled-up sleeping bags chromatized
with Disney Characters.” Soon thereafter, she describes the image of the other
Brownie troop’s adult leader. “Mrs. Margolin even looked like a mother duck—she
had hair cropped close to a small ball of a head, almost no neck, and huge,
miraculous breasts. She wore enormous belts that looked like the kind weight
lifters wear, except hers were cheap metallic gold or rabbit fur or covered in
gigantic fake sunflowers.”
I love the
contrasting characteristics between the two troops. Where troop 909 consists of
prim young white girls concerned with Disney Princess, Packer explains the
other as being led by a large, immensely-tacky supervisor, naturally providing
the foundation for conflict. Packer’s story is intriguing, for it features
stereotyping and the not-so-hidden tension still existent between whites and
blacks. This is further brought to light in one of the final moments in the
story when ‘Snot’ explains a time when, out of religious motivation, white
people once painted her porch.
Packer writes, “Daphne
asked quietly, ‘Did he thank them?’ I looked out the window. I could not tell
which were the thoughts and which were the trees. ‘No,’ I said, and suddenly
knew there was something mean in the world that I could not stop.” This moment
solidifies the tension between the two opposing sides. It’s a rich way to end
the story.
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