“We Real Cool,” by Gwendolyn Brooks
I love the simplicity of this poem. Though Brooks uses few words to paint
her image, the words she does use are extremely specific. Her lines “We sing
sin. We thin gin” vividly illuminate an image of teenagers singing the taboo
song of their generation, drinking gin on a carefree night. I also love the
contrast between her first and last lines: “We real cool” and “We die soon”. The
juxtaposition between life and death comments on the teenage tendency to neglect
safety when experimenting with life.
“Thirteen Ways of Looking at a Blackbird,” Wallace Stevens
I love the format of this poem. I think Stevens is clever in his approach
to capturing the nature of a blackbird. His fifth stanza is my favorite:
“V
I do not know
which to prefer,
The beauty of
inflections
Or the beauty
of innuendoes,
The blackbird
whistling
Or just after.”
This stanza
provided me with the opportunity to think about what a blackbird’s whistling
can signify. I also enjoy the relationship presented in this stanza between two
lovers and the nature of a blackbird. Additionally, the elongated rhythm of the
poem makes it fun to read. In fact, a blackbird can represent the rhythm of
this poem: it’s mysterious and intriguing.
“Still I Rise,” Maya Angelou
This poem is one
of my all time favorites. Maya Angelou’s empowering voice inspires me every
time I read this. Her opening stanza is monumental:
“You may write
me down in history
With your
bitter, twisted lies,
You may trod me
in the very dirt
But still, like
dust, I’ll rise.”
Her tone is
palpable and fierce. Her use of “bitter, twisted lies” and “trod me in the very
dirt” make it clear that she will let nothing stand in her way of being a
powerful woman. I love this poem because Maya Angelou is confident in her being
and acknowledges her strength as a human.
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