The telling sign
that David Sedaris is a great writer is the fact that he can turn any situation
or story into a great piece of writing. As I was reading Now We Are Five, I noticed that Sedaris’s story itself did not
intrigue me. I imagined myself faced with the task of writing the same story,
and all I foresee on my imaginary paper is a sad a boring story. Sedaris’s
writing, however, kept me engaged throughout the story.
One means
through which he accomplishes this is dialogue use. Sedaris is able to capture
many key characteristics of his family members through the dialogue he
includes, making his story more personable. He explains his sister’s desire to
not have her family attend her memorial service, and then imagines his mother’s
response: “So put that in your pipe
and smoke it.” Through this quote, I imagine Mamma Sedaris as a sturdy woman
who takes crap from no one. Also, this
quote perfectly compliments the sassy, yet strict personality I imagine this
mother-of-six to embodying.
Sedaris paints
a situation in which his brother, Paul, plays a trick him involving a fake
sneeze that unintentionally splashes a woman next to them. Sedaris writes:
“Sorry,
man,” Paul said when she turned around, horrified. “I was just playing a joke
on my brother.”
The woman
had many thin bracelets on, and they jangled as she brushed her hand against
the back of her head.
“You
called her ‘man,’ ” I said to him after she walked off.
“For
real?” he asked.
Amy
mimicked him perfectly. “For real?”
I love this
exchange of dialogue because it captures the playfulness existent between the
three siblings featured. Paul is seen as fratty-goofball, seeking attention and
laughs through the creative means of fake sneezing on his brother. Sedaris calls
his brother out on his initial mistake, making him the realist in the scenario.
And Amy finishes the exchange by further picking on Paul, mimicking his
lack-luster response. This dialogue reminds me of how I would communicate with
my brother: lovingly, yet trigger happy to jump on the opportunity to make
myself sound smarter.
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